‘A PINCH OF SALT’ BY DR. RAJNI CHHABRA: PRELUSION BY Dr. Jernail Singh Aaanand
‘A PINCH OF SALT’
BY DR. RAJNI CHHABRA
FOREWORD
Rajni Chhabra is a
well-known signature in the field of poetic creation, translation as well as Numerology.
She has translated and trans-verted [as she describes some of them] 22 books
and written 13 books of Numerology. Apart of these varied interests, she has
shown exceptional power so far as poetry writing is concerned. What makes me
wonder is how Numerology accords with poetry. It seems the poet and the Numerologist
have decided to share the kitchen and assist each other in the creation of
poetry as well numerical constructions.
It is interesting,
however, to see the impact of Numerology on poetry. I see the poems are in
absolute balance and observe complete precision of expression. The poetic creation
in the book ‘A Pinch of Salt’ bears the imprint of a master and the poet shares
her experiences and her formulations in a language which is highly intelligible,
clear and impassioned.
Anybody can write
articles, and anyone can write an essay. But anyone cannot write poetry.
Because for poetry writing, we need a poetic genius, which involves a sensitive
mind and a highly inflammable imagination, coupled with the power to articulate
the truth. Generally poets are talking in abstract terms about life, marriage,
age, death etc. They use abstractions, so that the truth which waits to be told,
is told but indistinctly. Poetry is a word play to an extent, but, in majority
of the cases, it remains word play only,
as most of the poetry today is, just a conglomerate of words, lacking poetic
genius, which finally end up saying
nothing.
When we look at
the poetic oeuvre of Dr. Rajni Chhabra, from the outset it becomes clear that
she is a serious artist, and knows the value of words. The space of a poem is
very short, and in this space, the poet has to lay down his/her beliefs. And
she never falters in her passion. In the poem, ‘The Poet’, she makes a serious
confession and lays down the parameters of being a poet:
He
deals with human passions,
Not with numbers
and casualties,
This
is profound liability of a poet
This
is proof of his identity.
In ‘Murmuring
River’, she notes the passion of the flowing waters for the sea, even if the
river has to lose its own being. The expression ‘the lovelorn river’ lends the
poem an endearing human quality:
But
that lovelorn river
Did
not stop flowing
Lost
her attribute of sweetness
Merged
in hard water
Embracing
the sea
And
put an end to her synaphea
Her
own sustenance.
‘Whispers of the
Wind’ appears to be the seminal poem of the collection, in which the poet
listens to the voice of life, which loves to let go, to flow, and to be free.
Her love for freedom, like the wind lends voice to a universal aspiration of
mankind:
In
the silence, I hear its voice
A
gentle reminder of life's choice
To
let go, to flow, to be free
Like
the wind, wild and carefree.
‘Strayed
Travellers’ contrasts the olden times when people had time to guide an unknown
visitor with modern times, when a strayed traveller has to take recourse to the
GPS:
On an unfamiliar path
In an unknown city
There is no fear of
Getting path deviated
Google map protects all
Showing way to
Strayed travellers.
A wall is a common metaphor in poetry to suggest division. ‘Mending
Wall’ is a famous poem by Robert Frost in which he says, good fences are
necessary for having good neighbours. But walls often divide old parents from their sons and daughters which is very
painful. Yet, this poem amply shows how walls cannot imprison the love and
affection of an elder, testifying to the edifying presence of elderly love for
their offspring however uncaring they might be:
But, will she be able to stop
Flight of her mind
Flying on wings of mind
She wanders
Across the wall
‘Art of Living’ is a highly instructive poem. Through the
metaphor of the ‘Bichhu Buti’, a stinging plant, which you can uproot and
replant anywhere, which soon gathers life again and starts blooming, the poet wants
humans to learn this Art of Living, perhaps, in the background are the
thousands of battles, fights, riots, which uproot people and they leave their
homes, and resettle at other places:
Bichhu Buti adjusts
And blooms again
With its colourful glory.
O, That! We could also learn
This unique art of living.
The poet philosophizes on the idea of perfection in her
beautiful poem, ‘Will to Accomplish’ and remarks that it is better we remain
short of perfection and keep working for it:
The purposefulness
That is associated with efforts
Is missing in perfection
Brimmed goblet
Does not have
Room to add more.
No expectation remains
From life
Rajni Chhanra is a votary of change,
and believes that although the same Sun rises every day, yet, every day is not
the same. We should explore new horizons rather than wishing to remain the same,
which represents our comfort zone too:
Though same is our life.
Don’t get stagnant.
Daily endeavour
To tread new paths
And explore
New horizons. [The Sun
is the Same]
The mother in the poem
‘A Prayer for Daughter’, brings to mind a poem with nearly the same title, by
William Butler Yeats. She prays to save her innocence, and protect her from the
winds of time, so that she never faces disillusionment:
O! God, I pray thee
Save her innocence
Protect her from
Merciless winds of time
Don't ever, let her face
Disillusionment of rainbow
Ornament her life with
With colors of faith
Let true happiness
Fetch her glow.
What is needed for the flight are guts
and determination’, [Flight], and “As long as there is breath/Hope to survive
persists” [From Book of Life]. The
poet’s monologue “Are you Listening Ma!”, in which she addresses her mother is
highly emotive:
“I
am vocal now,
..
I will pen-craft
Spontaneous flow of
My thoughts
Like a stream of pure water.
My silence has vocalized.
But, are you listening Ma?
Her poem ‘Withered
Leaves’ is a poignant reflection on the fleeting nature of life, where dried
leaves are crushed underfoot, once having brought joy and shade to those around
them. ‘Eternal Loneliness’ presents a haunting portrayal of isolation, where a
lone figure sits amidst withered grass, evoking feelings of desolation and
disconnection. And ‘Glaciers’ is a
powerful metaphor for the thawing of cold relationships, urging us to endeavor
towards connection and understanding.
In conclusion, I
would like to say that ‘A Pinch of Salt’ breathes with the sweet and bitter
taste of life, and the poet has lent to her work the glow of her experience as
well as her personality, which is rife with a passion for universal well-being
and love for mankind. Her keen vision invests with significance things which
otherwise appear quite prosaic. This work is an authentic evidence of the fact
that the poet in her is as transcendent as her numerical genius. I welcome this
work as an admirable addition to English literature of contemporary times.
Dr.
Jernail Singh Anand,
Poet
and philosopher,
President,
International Academy of Ethics.
[ethicsacademy.co.in]
Winner
of Seneca Award [Italy] & Charter of Morava [Serbia]
Email:
anandjs55@yahoo.com
PRELUSION
A PINCH OF
SALT
It gives me
fathomless pleasure to share my third English Poetry book , 'A Pinch of Salt',
with Poetry lovers all over the world.
"Writing a
book of poetry is like dropping a rose petal down the Grand Canyon and waiting
for the echo," said Don the critic.
Poetry is the
world's premier human eloquence, a sheer spontaneous out flowing of sentiments,
from the innermost recesses of heart and should be felt in heart of voracious
readers. Poetry touches every inch of habitable earth and acquires cultural
conquest. It is also cultivating culture.
As for me, poetry
is the opening of door, on hearing the knock at the door of mind. While
retaining deep love with treasured memories of past, I don't dare to ignore
present and cherish hopes for a vibrant future for society as a whole. For me,
poetry is reviving past; additionally an instrument of social change, re
awakening and attempt to transform attitude of generation towards better. When,
I come across chaos in society and degeneration of human values, I can not stop
myself from expressing my pang. My poetry explores themes of hope,
inspiration, and the human experience. Many a times, our thoughts
are poetic; our dreams are laced with little gems of poetry. I just endeavour
to pen-craft these dreams with ink of emotions.
My journey of
letters is going on side by side with Journey of Numbers. I am into Numerology
since 1989 and balancing scales of two utterly distinct spheres, sometimes
calls for a lot of adjustment on my part. At this juncture, support of my
family is a great boon for me, who always stands by me in pink and blue of
life.
Additionally,
since, last ten years, I have indulged deeply into translation and trans-verted
22 books from Hindi, English and vice-versa, from Rajasthani, Punjabi and
Nepali into English as target language. Overall, whether it be my original
poetry or trans-version, my poetry is imbued with emotional depth, varied
themes, and accessible language, resonating with readers from diverse
backgrounds.
Mentioning a few
of my favourite poems :
*Withered Leaves:
A poignant reflection on the fleeting nature of life, where dried leaves are
crushed underfoot, once having brought joy and shade to those around them.
*Eternal
Loneliness: A haunting portrayal of isolation, where a lone figure sits amidst
withered grass, evoking feelings of desolation and disconnection.
*Glaciers: A
powerful metaphor for the thawing of cold relationships, urging us to endeavor
towards connection and understanding.
The world is not
exactly the same for all. We perceive the entire diverse world according to our
outlook. Hence, I humbly present the world of my thoughts to you, to interpret
it in your distinct way. Surely, I will appreciate your views and treasurable
comments about my poetic compositions.
Lastly, my special
thanks to the Publisher and entire team for creating this Poetry book so
aesthetically.
Rajni Chhabra
Multi-lingual
Poetess & Translator
e-mail:
rajni.numerologist @ gmail.com
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